![]() Cox pitched in on "Shake It Off," the breezy summer follow-up that cemented that status. It was Dupri and Carey who wrote "We Belong Together", the impossibly huge smash that reestablished Mariah as a pop titan in 2005, the last time she risked fading away. The album was executive produced by Jermaine Dupri and Bryan-Michael Cox, a duo who helped jumpstart Mariah's career the first time it flagged. The album sounds exactly, defiantly like Mariah, acknowledging her place in the pop ecosystem both implicitly and explicitly without chomping at the bit. She is not Jennifer Lopez or Madonna, leaving smudged fingerprints on the zeitgeist I Am Mariah does not bend toward the whims of the radio. It makes an argument for Mariah letting pop stardom come as it does- or doesn't-and the record seemingly acknowledges her increasingly murky future by looking back at loves and sounds of the past. ![]() Yet, despite the circumstances, I Am Mariah is not an album that sounds desperate.
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